THE USE OF ULAP – ULAP IN SACRED BUILDINGS IN DENPASAR CITY
DOI:
https://doi.org/10.25078/vidyottama.v7i1.2341Abstract
This paper aimed to describe and explore the role of ulap-ulap buildings as sacred buildings in Denpasar City. It often happens when installing ulap-ulap because of the role of ulap-ulap buildings as sacred buildings in Denpasar City. It often happens when installing ulap-ulap that has been made by the Sulinggih or the authorities in reverse. The ulap-ulap that should have been installed on the palinggih Kamulan is then installed on the palinggih Taksu. As well as the wrong placement of aksaradasaksara rotation, where the direction of purwa should be placed above but is placed on the right side. Namely, the existence of ulap-ulap in the sacred building in Denpasar City is an upakara to make ulap-ulap. The forms of upakara used in making ulap-ulap are of several levels and consist of Nista, Madya, and Utama. Second, the types of ulap-ulap in the sacred building consist of padma, meru, gedong, bale, tugu, kori, and parhyangan. Third, the implications of ulap-ulap for Hindus in Denpasar City have implications for strengthening belief in God, developing Balinese culture, preserving Balinese Script in Hinduism, developing aesthetic creativity, and as the basis for practicing Tri Hita Karana.
References
Agastia, Ida Bagus Gede. 1998. “Ghanta, Bajra dan Aksara”. Disarikan dari Makalah yang disajikan dalam diskusi bedah buku “Perburuan ke Prana Jiwa” oleh Sanggar Seni Bajra Sandhi, 30 Mei 1998. Termuat dalam WHD No. 376, Juli 1998, halaman 18-22.
Agastia, Ida Bagus Gede. 2003. “Aksara Bali, Skriptografi dan I Gusti Ngurah Bagus”. Makalah disampaikan pada Seminar Mengkaji Pemikiran Prof. Dr. I Gusti Ngurah Bagus, diselenggarakan oleh Program Magister Ilmu Agama dan Kebudayaan Universitas Hindu Indonesia, 15 Nopember 2003.
Alfian. 1985. Persepsi Masyarakat Tentang Kebudayaan. Jakarta : Gramedia.
Ardana, I Gusti Gede. 1971. Pengertian Pura di Bali. Denpasar : Proyek Pemeliharaan dan Pengembangan Kebudayaan Daerah Bali
Armanadhi, I.N.S. 1975. Asta Kosala-Kosali-Gumi Bhagawan Swakarma. Denpasar : Tim Penyusun.
Bagus. I Gusti Ngurah. 1980. “Aksara Dalam Kebudayaan Bali Kajian Antropologi”. Denpasar : Universitas Udayana.
Candhri, L.R. 2003. Rahasia Yantra, Mantra & Tantra. Surabaya : Paramita.
Dinas Kebudayaan Provinsi Bali. 2001. Pedoman Pasang Aksara Bali. Denpasar.
Ginarsa, Ketut. 1979. Gambar Lambang. Denpasar : CV. Sumber Mas Bali.
Ginarsa, Ketut. 1980. Sepintas Tentang Sejarah Aksara Bali. Singaraja : Monograf diperbanyak oleh Balai Penelitian Bahasa Singaraja.
Hooykaas, C. 1964. Agama Tirtha Five Studies in Hindu-Balinese Religion. Amsterdam : NV. Noord-Hollandsche Uitgevers Maatschappij.
Hooykaas, C. 1966. Surya-Sevana The Way to God of A Balinese Siva Priest.
Amsterdam : NV. Noord-Hollandsche Uitgevers Maatschappij.
Kadjeng, I Nyoman. Sarasamuscaya. 2000. Surabaya : Paramita.
Mantra, I.B. 2000. Bhagawadgita. Denpasar : Pemerintah Propinsi Bali.
Nala, Ngurah. 2006. Aksara Bali dalam Usada. Surabaya : Paramita.
Patra, Susila Made. 1985. Hubungan Seni Bangunan Dengan Hiasan dalam Rumah Tinggal Adat Bali. Jakarta : PN. Balai Pustaka.
Simpen, I Wayan. 1995. Pasang Aksara Bali. Denpasar : Upada Sastra.
Suamba,I.B. 2004. Om Pranawa Mantra. Denpasar : Dharmopadesa Pusat.
Suandra, I Made. 1991. Himpunan Ulap-ulap Palinggih. Denpasar : Upada Sastra.
Sura, I Gede. 1979. “Agama Membawa Kedamaian Hati” Denpasar : stensilan.
Sura, I Gede. 2002. Siwatattwa. Denpasar : Pemerintah Daerah Propinsi Bali
Triguna, I B Gede Yudha. 2000. Teori Tentang Simbol. Denpasar : Widya Dharma.
Turun, I Wayan dkk. 2003. Sakancaning Ulap-ulap. Denpasar : Dinas Kebudayaan Provinsi Bali.
Van Der Tuuk, D.H.N. 1897. Kawi-Balinese-Nederlandsch. Woordenboek, 17 Aug 1894 Dell I. Batavia Landsdrukkerij.
Weck, Wolfgang. 1986. Heilkunde und Volkstum Auf Bali. Jakarta : PT. Intermasa.