A Comprehensive Analysis Of Visual Communication Design And Symbolic Meaning In The Documentary 'The Painting Of Life Vincent Van Gogh

Authors

  • Anak Agung Gede Daniartha Universitas Hindu Negeri I Gusti Bagus Sugriwa

Keywords:

Dadaism, Documentary Video, Semiotics, Vincent Van Gogh, Visual Communication Design

Abstract

This study analyzes visual representation in a documentary video about Vincent van Gogh through the lens of deconstructionist semiotics and visual communication design principles, with particular focus on the application of Dadaist style and experimental typography. The research is motivated by the crucial role of design consistency in effectively conveying symbolic messages through visual media. Employing qualitative methods, the study examines characteristic Dadaist elements such as collage, random image fragments, and unconventional typography in expressing a narrative of rebellion. Findings indicate that the opening bumper successfully creates a "rebel" impression through deliberately chaotic visual composition, while stylistic inconsistencies in the credit titles diminish overall visual integrity. The study concludes by emphasizing the importance of harmonious integration between Dadaist aesthetics and narrative messaging to achieve effective and meaningful visual communication design.

References

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Published

2025-04-30

How to Cite

Daniartha, A. A. G. (2025). A Comprehensive Analysis Of Visual Communication Design And Symbolic Meaning In The Documentary ’The Painting Of Life Vincent Van Gogh. Les-Guet’s : Journal of Visual Art And Design Studies, 1(1), 23–29. Retrieved from https://ojs.uhnsugriwa.ac.id/index.php/lg/article/view/4758

Issue

Vol. 1 No. 1: Les-Guet's (April 2025)

Section

Articles

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Copyright (c) 2025 Les-Guet's : Journal of Visual Art And Design Studies

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